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Famedio and Emiciclo
1841-1859
project and realization
Carlo Sada
architect 1809-1873
1st Enlargement and
arcades
Monument Remondini
1912
Edoardo Rubino
sculptor 1871-1954
3rd Enlargement North
n. 54
Monument Porcheddu
1912
Giulio Casanova
Arch. and Decorator
1875 -1961
Edoardo Rubino
sculptor 1871-1954
3rd Enlargement Arc.51
Monument Wild
1927 - 1928
Michele Alfonso Frapolli
engineer 1880-1950
7th Enlargement
Piazzale Brin n.8
Monument Riccio
1914-1915
Gaetano Orsolini
sculptor 1884-1954
Giovanni Velati Bellini
engineer 1866-1926
Primitive part south
A, 441 |
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The
foundation act of Cimitero Monumentale di Torino dates back to 1828.
The new site, called "Primitive Field", project of the Arch. Gaetano Lombardi,
is organised on an octagonal plan, with a chapel and service buildings,
surrounded by an enclosure wall with large "Neo-Egyptian" style niches.
A circular surface is erected in the centre, dominated by a Calvary with
a Cross rising above the ossuary crypt.
Later several enlargements were built: in 1841 (project by the Savoy Architect
Carlo Sada), in 1866, in 1880-1881 (by Eng. Carlo Ceppi), in 1883 following
a previous project by Sada.
The general project to extend the Cemetery area, approved in 1886, underlined
the need to straighten the river course and also deliberated the construction
of the fifth Enlargement, a new portico following Ceppi's model. With
the spread of cremation, in 1882 was built a Crematorium Temple. |
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In 1888 was inaugurated the complex, a project by the Arch. Pompeo Marini,
and in 1895 the funeral Niches with a portico Dorian style was added on
a project by Eng. Daniele Donghi. Other works followed until the second
half of 1900.
Although the layout of the Turin Monumental Cemetery developed in different
steps over time, some stylistic homogeneity can be identified, especially
because of the arcade structures of the enlargements.
There are works by many authors since the first years of XIX century,
such as Gaetano Lombardi, Vincenzo Vela, Odoardo Tabacchi, until the XX
century authors Pietro Canonica, Leonardo Bistolfi, Edoardo Rubino, and
the latest works by Umberto Mastroianni, Carlo Mollino, and Giacomo Soffiantino.
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